Tag Archives: Ginie’s Top Ten

Ginie’s Top Ten: (Mostly) Nostalgic Animated Crushes

I noticed that for something I really love, I actually haven’t talked much at all about animation on this website. And I’ve decided that I’m going to address that! With – what else? A Top Ten list of Hotted Animated Guys, partially inspired by Nostalgia Chick’s Top Ten “Hottest” Animated Guys list. A point Lindsay raises in her list is that while Top Ten Hottest Animated Women lists tend to be quite unanimous, Top Ten Hottest Animated Guys tend to have a lot more variation in  them and I guess are much more subjective to whom is drawing up the list. That being said she still discovered a trend: apparently we like them dark, and we like them tortured. Also we freaking love woobies (I’m totally with you there Nella). In drawing up this list I’ve come to realise that basically…yeah. Spot on. Apparently I, like most fangirls, just want to save you! And give you a hug or something. So anyway, here’s my personal and absolutely subjective Top Ten, with some nostalgic crushes and some more recent ones.

  1. Howl (Howl’s Moving Castle)
    So I’m developing a theory that Howl represents a certain character archetype that I think is really appealing to young girls – the fantasy character who crashes into your hum-drum life, grabs you by the hand and whisks you off to somewhere exciting and dangerous to have adventures together.  I’d argue that that’s definitely one of the appeals of characters like Doctor Who for instance (especially in the episode The Eleventh Hour), and I find it hard to believe that TV Tropes doesn’t seem to have come up with a name for this trope yet. (Dear TV Tropes: get on it!) Otherwise what is there to say? Animated!Howl is basically fangirl catnip: he’s handsome, he’s charming, he does magic, he’s noble of spirit – but he’s also tortured with (literal) personal demons and needs a hug! I actually much prefer his bookverse counterpart, but that doesn’t mean that teenage me wasn’t totally in love with Hayao Miyazaki’s version of Howl, especially as the English dub was voiced by Christian Bale.
  2.  Li Shang (Mulan)

    What can I say? Let’s get down to business! To deafeat – the huns! Li Shang is well, hot. But despite that he’s also got this kind of awkward thing going on which makes him quite relateable and likeable and I imagine that for most  fans of this character it’s the awkward likeability that puts him above all other similarly hot-ly drawn Disney princes(?) Also! Bonus point for being the kind of animated guy who acknowledges he was wrong and makes up for it by following Mulan’s lead into battle. And having the most awesome song in the movie while not being a Disney villain.
  3. Dimitri (Anastasia)
    Ahh, Anastasia! What a way to completely re-write history, movie! But of course, Anastasia is hardly the only serious offender in that category (*cough*, Pocahontas, *cough*). Anyway, I saw this movie long before I knew anything about 20th Century Russian history (which is why, dear animators, making animated films based on “historical facts” and getting them completely wrong is absolutely awful! CHILDREN DON’T KNOW ANY BETTER, and you’ve deliberately misinformed them). But back to what I was saying – I saw this movie when it first came out and obviously had this huge nostalgic crush on Dimitri. If Howl represents the fantasy-character-who’ll-take-you-on-adventures archetype, I’d argue that Dimitri (and Aladdin further down this list) represent the “real-world” counterpart to that archetype. As a side-note: re-watching this film as an adult is hilarious because I actually get references to 20s/30s Parisian things like the Josephine Baker cameo.
  4. Zuko (Avatar: The Last Airbender)
    Oh Zuko. Was there ever an animated woobie that needed just needed a hug more than you? Seriously though, I do love Zuko as a character and of all the characters in Avatar: The Last Airbender, he is the one with one of the most interesting and fully-developed character-arcs in the entire series. From conflicted antagonist and general bratty shit-head to ultimately becoming one of the series’ heroes, Zuko is easily a fan-favourite and it’s not hard to see why we all love him. I think one of things I love most about A:TLA though, is the amount of self-aware humour that is used, and isn’t spared when it comes to Zuko. Sure, Zuko’s story is pretty tragic but that doesn’t stop characters in-universe making fun of his obsession with restoring his honour. (Sidenote: Aang is disqualified  on account of age, basically.)
  5.  Link (The Legend of Zelda)
     Oh man, this is a long-standing nostalgic crush for me. I know this is also kind of cheating as Link isn’t a character from an animated movie or show (shut up shut up, that animated show doesn’t count!), but he is an animated character so as far as I’m concerned his position on this list is totally legit. My first introduction to Link was my step-cousin play The Legend of Zelda: Ocarina of Time  back in 1998, and I just loved Link. He’s another archetypical character, the Hero who must go on his Hero’s Journey and I guess the great thing about Link is that you’re adventuring right alongside him on his Hero’s Journey. He is intentionally silent in all of the games as he’s meant to be your avatar into the Zelda-universe, but I actually think the animation (especially in later games like Twilight Princess and Skyward Sword) have been great for actually expressing giving him a personality and expressing emotions.
  6. Count of Monte Cristo (Gankutsuou)
    This is a much more recent one – anyone who knows my reading habits knows I love me some French 19th Century writers, especially Alexandre Dumas’ adventure stories and having finished The Three Musketeers books as a teenager I’m now working my way through The Count of Monte Cristo which I think I’ve already decided I like better than The Three Musketeers. This anime is actually a surprisingly faithful adaptation of the novel, but with a few key differences that make it its own story. First of all it’s set far into the future (where apparently there’s been a restoration of the monarchy in France?) and secondly Edmond Dantes’ drive for revenge is fuelled by a pact he made with a demon while incarcerated in the Chateau D’If. There are other differences of course in terms of the different characters and their relationships and motivations, but those two are the most notable differences with regards to the plot. The anime is quite dark, and the Counts’ thirst for revenge is shown to be a all-consuming destructive force that almost completely engulfs the good man that the Count used to be – Edmond Dantes.
  7. Aladdin (Aladdin)
    I think Aladdin’s position as on this list was solidified by an encounter I had several years ago with a IRL hot guy who actually looked like Aladdin. Despite all the race-fail there is in this movie, I do really enjoy it and I think the appeal of Aladdin is that he’s clearly a flawed character but one who learns from his mistakes and most importantly wants to take you on fun adventures. (We’ll firmly ignore the part where his character design was apparently based on Tom Cruise. Why..?)
  8. …Entire Prince of Egypt Cast
    Whether it’s Ramses or Moses or even Joseph from the less-good King of Dreams movie, I’ve got to hand it to the animators of The Prince of Egypt: all their animated characters are ridiculously good-looking. (I’ll momentarily ignore the fact that I just called a bunch of Biblical characters hot). Re-watching The Prince of Egypt makes me kinda sad that Dreamworks doesn’t do this kind of animation any more, because this film was amazingly epic and the music was gorgeous and the animation was beautiful.
  9. Dr. Facilier (The Princess and the Frog)
    Dr. Facilier is easily one of the most awesome characters in The Princess and the Frog, has one of the best Disney villain songs ever and possesses just an amazing amount of style and charisma. It also helps Keith David’s voice acting is nothing short of amazing and spine-shiveringly cool. There is a lot of race-fail in this film too when it comes to the representation of Vodou, and I take issue with how easily Dr. Facilier is defeated but regardless of these issues I can’t help but love this character to bits.
  10. Scar (The Lion King)
    What? I dare you not to love Jeremy Irons.

Honourable Mentions:

  • Prince Adam/The Beast (Beauty and the Beast)
  • Judge Claude Frollo (The Hunchback of Notre Dame)
  • Hadji and Johnny Quest (The Real Adventures  of Johnny Quest)
  • Haku (Spirited Away)
  • Gambit (X-Men)
  • Bolin (The Legend of Korra)
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Ginie’s Top Ten: Fantasy Fiction with Fantastic Heroines

Anyone who has taken a gander at my website will probably have guessed by now that I do love my fantasy fiction. And you know what else I love? Girls who kick ass and take center stage in epic adventures. This list is by no means exhaustive, and it’s pretty much a personal one. Feel free to make suggestions in the comments for any great books I’ve missed out with great female characters in the lead role!

1.) Howl’s Moving Castle by Dianna Wynne Jones

Howl's Moving Castle

This entry won’t surprise anyone who knows me. Dianna Wynne Jones is one of my all-time favourite writers and Howl’s Moving Castle is one of my all-time favourite books – mainly because I love Sophie utterly to bits.

Sophie Hatter is a plain, quite mousey timid girl whose life gets turned upside down when she accidentally challenges the witch of the waste. What I like best about Sophie is that she’s not necessarily a very obvious heroine – yes she’s mousey and has a handsome man fall in love with her, which seems to be the standard set-up for most YA stories/romantic comedies/etc. and yet Sophie’s story is very different from all of that. For a start – she’s an old woman for most of the story, which means that for most of the story it isn’t like she’s all pretty but just doesn’t know it – she’s actually an old woman. I like how becoming an old woman actually liberates Sophie because she feels like she has nothing left to lose and everything to gain by becoming more assertive and forward, and best of all I like the fact that Sophie’s heroism is so understated. She doesn’t brandish a sword or physically kick-ass –  and even when she’s at her most dramatic, nobly stepping aside so that Howl can be with Ms. Angorian because she believes it will make him happy she does it in such a matter-of-fact way that it’s easy to forget just how much she sacrifices in that moment. She’s extraordinarily brave and at the end of the day she is the one to save both Howl and Calcifer.

2.) The Hollow Kingdom by Clare B. Dunkle

I’ve probably said all that can be said about Kate and The Hollow Kingdom in my epically long review here – but to sum up: Kate is a clever and brave protagonist who looks out for her sister and regularly outsmarts the Goblin king. She resists all attempts by her vile uncle and by the Goblin King himself to remove her of her own agency and for all of these things I find her to be a very heroic character. (The less said about the two sequels, the better. I absolutely adored this book and couldn’t believe how disappointing Close Kin and In the Coils of the Snake were.)

3.) Privilege of the Sword by Ellen Kushner

Our first sword-wielding heroine on the list! And also a Katherine. Apparently Kate is a very popular name for girl’s populating fantasy worlds. Anyway, Kate is on my list because aside from being a sword-wielding badass she also matures a ridiculous amount throughout the course of the story, in more ways than one.  I also like that contrary to actually quite a few of the other stories here, Katherine doesn’t have a clear love-interest per se, [spoilers] and when she does end up sleeping with Marcus it’s not made out to be like this massive deal. She just did something she enjoyed and felt right doing at the time and that was that. Which I think needs to be done a lot more in YA. Seriously, people make sex out to be like this momentous, terrifying world-changing thing and in a way it is, but once you’ve actually had sex you kind of realise that all in all, it’s not nearly as world-changing as you thought it would be and that you’re very much the same person you were before. If we didn’t make such a big deal out of it all the time it wouldn’t cause nearly so much anxiety for so many girls (myself included, back in the day). [End spoilers] Also yey for LGBTQ representation!

4.) Tithe (Modern Faerie Trilogy) by Holly Black

If you like creepy faery-lore and you like urban fantasy you should go out and get this book now. Tithe tells the story of Kaye, who has always been able to see faeries since she was little, her discovery that she’s actually a changeling and how she ends up embroiled in a political plot between the Seelie and Unseelie courts. Anyway, what I like about Kaye is that  she’s flawed, but she’ll always call others (and herself) out on their bullshit. Also more LGBTQ representation!

5.) The Changeling Sea by Patricia McKillip

Changeling Sea is a nautical fairytale, of course I’d adore it. Peri grew up by the sea, and has always resented it for taking away her father and driving her mother into deep depression. Little does she know that she’s about to become much more familiar with the sea-folk and it’s denizens, including a pair of mistaken princes. Peri is resilient, curious and brave – though I remain unconvinced by the love story.

6.) Matilda by Road Dahl

I’m including Matilda on the fantasy list because of her telekinesis – and also just generally because how awesome is Matilda and how much did I want to be Matilda as a kid? (Answer: a lot). She’s crazy-smart, she loves books and she stands up for herself – even against bigger foes like her parents and Miss Trunchbull. What’s not to love?

7.) The Hero and the Crown by Robin McKinley

It was honestly a very long time ago since I read this book, but I do remember liking it and Aerin (the heroine) does fight a lot of prejudices to go on and become a sword-wielding dragon-slayer. ‘Nuff said.

8.) Fire and Hemlock by Diana Wynne Jones

Fire and Hemlock is a modern re-telling of Tam Lin, and true to legend it is the up to the heroine (in this case Polly) to save her beloved Tam Lin from the clutches of the Faerie Queen and her court.  As with anything involving faeries, it isn’t enough just to be brave – you also have to be cunning, because outwitting them is your only means of survival and Polly does just that; despite a whole host of other real-world issues such as a disintegrating family life and the fact that the faerie-folk have messed around considerably with her memory. Interesting FYI about this book, DWJ was very conscious that while she wanted a female heroine she didn’t just want to write a girl into a traditional “boy’s” part. And this  is why DWJ is awesome. Because strong female characters are well-rounded and defy stock-character-types and tropes.

9.) The Dalemark Quartet by Diana Wynne Jones

There’s a lot of Dianna Wynne Jones on this list. I feel like some of her lesser-known work needs more love, and just generally I love her stories. The Dalemark Quartet was my favourite for the longest time – the story covers different time periods and spans four books with a rich cast of characters, a believable country and landscape that (unlike some fantasy novels) has all the political and cultural complexities of a real country; and a pantheon of gods that are every bit as fascinating and multi-faceted as the pantheons that exist in the real world. I think what I also like about Dianna Wynne Jones is that she doesn’t shy away from unlikeable characters  – like actual people they always have a sympathetic side, it’s true, but she never falls into the trap of giving them some sort of “redemption” and they’re all the more realistic for it. Notable heroines include: Tanaqui and Maewen.

10.) Wildwood Dancing by Juliet Marilier

Set in Transylvania and based largely off the fairy-tale The Twelve Dancing Princesses, Wildwood Dancing tells the tale of a girl called Jena and her four sisters. While their father is away, he has left his estate in the care of his two eldest daughters – but when her father unexpectedly dies, their uncle steps in and relieves the girls of their responsibility, deeming them unfit to manage their own estate. Intrigues occur when the balance between the villagers, the creatures of the woods and the creatures of the night is disturbed. Basically this is an adventure involving Transylvanian legends, faeries and vampires, a talking frog and the awkwardest (read: cute) budding love-story ever.

And that’s it! My top ten. I realise there are some massive gaps, like I’m sure a few of you will cry “but how about Hermione?” (alas, she isn’t the main character of the story) or “where’s Lyra?” (alas, I’ve never read His Dark Materials – blasphemy, I know. But you want to know what’s funny? I’ve read every single other of Phillip Pullman’s novels. No joke.) All I can say is once again that this is quite a personal top-ten (also limited by what I actually remember – most of these I’ve read in the last couple of years, with only a few exceptions). Honourable mention goes to Libba Bray’s Gemma Doyle Trilogy, that I actually really love and find fantastically creepy but refrained from putting on this list because if I were to be honest I find the girls very dislikeable. This isn’t always a bad thing, but in this case I also found the friendship between the girls hard to believe – they’re almost always absolutely vile to each other, I find it hard to see why they’d bother remaining friends.

Also: Twilight will never be on this list. That is all.

Ginie

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